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Showing posts from August, 2014

Kula Deivam and the Act of Returning

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Kunnathur, rebuilt — familiar, and not. When I was growing up, I spent most summers with my grandparents and extended family. My maternal side was based in Pudukkottai, my paternal side in Gobichettipalayam—Gobi, for short—in Tamil Nadu. Like most families, ours has since scattered, pulled toward larger cities and better livelihoods. The structure is new. The pull is old. Back then, our visits were unremarkable in the best way. We stayed home. Visitors came and went through the day. When we were in Gobi, there was one outing we never missed: a visit to our kula deivam at Kunnathur, about twenty-five kilometers away. We would pile into a van or a bus, pack food, and set out like an informal family pilgrimage—grandparents, uncles, aunts, cousins, all together. My paati would make sweet pongal and offer it to Goddess Angala Parameswari, an avatar of Parvati. There were no restaurant...

Narayaneeyam

The lack of identifying Raagas has never been a negative when it comes to appreciating good music.  At the end of the day, it's important to lose yourself in the realm of music, instead of worrying about the nitty gritty details associated with it.  That's what I like to say.  But, heart of hearts, I have a deep regret that I don't have the wherewithals to understand the grammar and finer nuances.  I have always felt that to understand and produce good music, it requires the divine being's blessings.  If you are a bad student in academics, you can always improve by working hard.  If you have a good training as a kid in sports, you can be good in sports.  But, when it comes to music, it's just a binary, as far as vocal is concerned.  You either have it or don't.  You can improve your musical skills only if you have it in the first place.  I am not ashamed to say that I don't have even an iota of it.  But I definitely feel sad about ...