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Showing posts from August, 2014

The House in Pudukkottai That Woke Up at 5AM

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By 5AM, the house in Pudukkottai was already awake. The old tape recorder would be blaring Pithukuli Murugados songs somewhere inside, and above everything else you could hear the steady creak of the wooden swing moving back and forth. My athai paati — my grandfather’s sister — would often be on that swing, singing “Gopala Krishna Swamy Gokulathiley,” a soft Krishna lullaby . She had been widowed young and lived the rest of her life in that house, and to me she always felt like someone straight out of an RK Narayan story. For us, summer meant Pudukkottai and Gobichettipalayam. A couple of days after the final exam, we would take the overnight Trichy Express from Bangalore, then a bus onward, and by the next morning we would be inside that long, bustling house full of cousins, relatives, and noise. Athai Paati with the kids on the swing The house itself stretched from one street to another, a lon...

Narayaneeyam

The lack of identifying Raagas has never been a negative when it comes to appreciating good music.  At the end of the day, it's important to lose yourself in the realm of music, instead of worrying about the nitty gritty details associated with it.  That's what I like to say.  But, heart of hearts, I have a deep regret that I don't have the wherewithals to understand the grammar and finer nuances.  I have always felt that to understand and produce good music, it requires the divine being's blessings.  If you are a bad student in academics, you can always improve by working hard.  If you have a good training as a kid in sports, you can be good in sports.  But, when it comes to music, it's just a binary, as far as vocal is concerned.  You either have it or don't.  You can improve your musical skills only if you have it in the first place.  I am not ashamed to say that I don't have even an iota of it.  But I definitely feel sad about ...