Bhavayami: The Kriti That Defined Carnatic Music for Me
I’ve often confessed how musically incompetent I am. I have no idea about thālams or ragams , nor even the basics of whether a singer is off shruti . And yet, music, especially the music of M. S. Subbulakshmi has been a constant companion throughout my life. Every morning and evening of my childhood, MS’s voice filled our home with the Vishnu Sahasranamam , Hanuman Chalisa , or Suprabhatam . Those slokams reverberating through the walls became part of my everyday rhythm. For my mother, who was deeply religious, devotional music was inseparable from life itself. And though I never grasped the nuances of Carnatic music, devotion seeped into me through those sounds. MS had a unique quality in her renderings. She didn’t just sing, she seemed to be standing in the presence of divinity. When people say a true musician never dies, I understand it. Their body may pass, but their music becomes immortal. For years, I kept a respectful distance from Carnat...
