Bhavayami: The Kriti That Defined Carnatic Music for Me

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I’ve often confessed how musically incompetent I am. I have no idea about  thālams  or  ragams , nor even the basics of whether a singer is off  shruti . And yet, music, especially the music of M. S. Subbulakshmi has been a constant companion throughout my life. Every morning and evening of my childhood, MS’s voice filled our home with the  Vishnu Sahasranamam ,  Hanuman Chalisa , or  Suprabhatam . Those slokams reverberating through the walls became part of my everyday rhythm. For my mother, who was deeply religious, devotional music was inseparable from life itself. And though I never grasped the nuances of Carnatic music, devotion seeped into me through those sounds. MS had a unique quality in her renderings. She didn’t just sing, she seemed to be standing in the presence of divinity. When people say a true musician never dies, I understand it. Their body may pass, but their music becomes immortal. For years, I kept a respectful distance from Carnat...

Pretty bad evening!

Sometimes you take sad decisions. After a long wait and much anticipation we decided to watch a movie and Ghajini it had to be. The seemless torture for about three hours filled us with agony for having watched such a meaningless cinema. Imagine leaving your studies, research work, assignments and discussions to watch a movie which leaves a bad taste in the end. But then, not all movies are good (unfortunately!!!)....

Waiting to watch another movie, nevertheless!!!

Comments

  1. Really?! You guys didnt like the movie? I thought it was pretty well made, inspite of the logical flaws.
    It got a lot of stuff from the english movie Memento..
    Hmmm.. hope you invest in a good movie next time.
    Keep postin..

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