When the Building Came Alive

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Kasturi Dhama Apartments — the play area where many evenings came alive. The lights would go out without warning. For a brief second, the entire building would fall silent. Then, from somewhere in Kasturi Dhama Apartments, a chorus would erupt. “Yayyy!” It is difficult to imagine children celebrating a power failure today. But in the Bangalore of the nineties and early 2000s, a power cut did not always feel like an inconvenience. Especially in the late evenings, it felt like permission. Permission to stop whatever we were doing, leave the darkness inside our homes, and step into the building outside. Before Kasturi Dhama became home, we had moved through a few different parts of Bangalore. My family had begun in Srirampuram and Vyalikaval before gradually cementing ourselves in Malleswaram for the next few decades. My earliest memory is of living in a vatara —a Kannada word loosely used for a building or a cluster of homes—on 15th Cross, near Karur Vy...
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Munich...Gripping reality


When Spielberg makes a movie, it creates headlines. But this one was different. Two weeks prior to the release of Munich, Spielberg revealed about such a movie and the reasons are obvious. The movie is about the aftermaths of Black September that hit the 1972 Olympics at Munich where 11 Israeli athletes were brutally murdered after the Palestinians attacked the Olympics village. A sensationally picturised movie of the Israeli intelligence wing, the Mossad, reactivating its assasination wing to eliminate the creators of Black September forms the theme of the year's best movie undoubtedly.

I have no clue of the actors who form the part of this movie. But, almost every unknown name seemed to fit in the role with ease. There are eleven people who plotted the 1972 disaster and there are nine of them whom the Mossad end up eliminating leaving the other two in perpetual fear. The story is about how the people selected for this mission end up killing the plotters and the traumatic experience, each of them undergoes.

Steven Spielberg has taken a neutral stand in this classic. He beautifully has potrayed the ill effects of terrorism, and though the vengeance operation has been carried out, he says that nothing can be done to reduce terrorism. Though people who have plotted the brutality are being killed, new ones are filling the voids in almost the same pace, which ultimately would lead to perpetual killing. The main protagonist of the movie who leads this low key but high profile operation essays the role to perfection as an Israeli agent. His and the team's traumatic experience of the operation is depicted in a way that only Spielberg can do justice. At the end of the day, he loses his entire team in the operation. The story does not end there. The post operations trauma that he suffers is truly a heart wrenching sight. He becomes a victim of his own suspicion and bitterness.

The film not only deals with the Israeli hit back but also what is lost in the entire operation. As I walked out of the theater, I was filled with a sense of uneasiness that gripped me of the terrorism that plagues the society and happiness of having watched another high quality movie from the stable of Steven Spielberg.

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